A Kiss in Space
That the picture
in The Times is a blur
is itself an accuracy. Where
this has happened is so remote
that clarity would misrepresent
not only distance but our feeling
about distance: just as
the first listeners at the telephone
were somehow reassured to hear
static that interfered with hearing
(funny word, static, that conveys
the atom's restlessness), we're
not even now--at the far end
of the century--entirely ready
to look to satellites for mere
resolution. When the Mir
invited the first American
astronaut to swim in the pool
of knowledge with the Russians, he floated
exactly as he would have in space
stations of our own: no lane
to stay in, no line to determine
the deep end, Norman Thagard
hovered on the ceiling something
like an angel in a painting
(but done without the hard
outlines of Botticelli; more
like a seraph's sonogram),
and turned to Yelena Kondakova
as his cheek received her kiss.
And in this
too the blur made sense: a kiss
so grave but gravity-free, untouched
by Eros but nevertheless
out of the usual orbit, must
make a heart shift focus. The very
grounding in culture (they gave him bread
and salt, as Grandmother would a guest
at her dacha; and hung the Stars
and Stripes in a stiff crumple
because it would not fall), the very
Russianness of the bear hugs was
dizzily universal: for who
knows how to signal anything
new without a ritual?
Not the kitchen-table
reader (child of the Cold War,
of 3x5 cards, carbon copies,
and the manila folder), who takes a pair
of scissors--as we do when the size
of some idea surprises--and clips
this one into a rectangle
much like her piece of toast. There:
it's saved, to think of later.
Yet it would be unfair
to leave her looking smug; barely
a teenager when she watched, on
her snowy TV screen, a man
seeming to walk on the moon, she's
learned that some detail--
Virtual Reality or e-mail,
something inexplicable and
unnatural--is always cropping up
for incorporation in what's human.
What ought to make it manageable,
and doesn't quite, is the thought
of humans devising it. She'll
remember Norman Thagard in June,
when the Mir (meaning Peace: but how
imagine this without agitation?)
docks with the Atlantis (meaning
the island Plato mentioned first
and which, like him, did not disappear
without a splash), to shuttle
the traveler back home--or
to whatever Earth has become.
A Rainbow Over the Seine
Noiseless at first, a spray
of mist in the face, a nose-
gay of moisture never
destined to be a downpour.
Until the sodden cloud
banks suddenly empty
into the Seine with a loud
clap, then a falling ovation
for the undrenchable
sun--which goes on shining
our shoes while they're filling
like open boats and the sails
of our newspaper hats
are flagging, and seeing
that nobody thought to bring
an umbrella, puts
up a rainbow instead.
A rainbow over the Seine,
perfectly wrought as a draw-
bridge dreamed by a child
in crayon, and by the law
of dreams the connection
once made can only be lost;
not being children
we stand above the grate
of the Metro we're not
taking, thunder underfoot, and
soak up what we know:
the triumph of this arc-
en-ciel, the dazzle
of this monumental
prism cut by drizzle, is
that it vanishes.
Excerpted from A
Kiss in Space by Mary Jo Salter. Copyright© 1999 by Mary Jo Salter.
Excerpted by permission of Alfred A. Knopf, a division of Random House LLC. All
rights reserved. No part of this poem may be reproduced or reprinted
without permission in writing from the publisher.